Monday, January 28, 2013

Mistakes newbies make










There are several standard errors that scream “newbie”. A good editor will make sure the writer fixes these up, but not every editor notices, not every author does what their editor says, and with the rise of self publishing there are more authors than ever doing their own thing.
So please, make sure your book does not contain any of these things.

The blurb that tells the entire story.
That thing you write telling the entire story? That’s called the synopsis. The blurb is meant to be brief, introducing the reader to the main characters and the main plot point, without giving the reader any extra information. In particular never reveal the spoiler or the conclusion. Also, don’t end the blurb with the book’s title, or a question. That screams newbie too.

Opening with the heroine standing in front of a mirror describing herself (or a reflective pool of water or…)
The opening of the book is your one chance to hook the reader. It needs to be action. If the villain is going to grab her by her long red hair hair, fine. Let him so that. Then we’ll know she has long red hair. Don’t tell us as well.
Similarly don’t have her looking at her straight white teeth as she cleans them. Most people who look in the mirror notice their faults. This is a very weak way for description. It’s much better done in action scenes, or at least by another character.
“I would never have chosen that shade of orange with your red hair but actually it looks okay,” said her sister.

Tying up the story with a big pink bow at the end.
No, we don’t want plot holes or loose threads, but we don’t want absolutely every secondary character placed neatly in a box or married off either. If this book is successful, those secondary characters are needed for the sequel. Leave some mystery and opportunities for a sequel, and skip the epilogue with two kids and a dog frolicking on the front lawn. It’s old and boring.

Helen Woodall
helen.woodall@gmail.com

Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.

Thursday, January 24, 2013

The top 12 reasons manuscripts are rejected




Ylva Publishing has recently celebrated their first anniversary. One of the things they did was a blog listing the 12 most common reasons why they rejected a manuscript.
It’s worth all authors taking a look. Obviously, depending on the genre you write, not everything will be applicable to you. But I’m sure you’ll still find hints for improvement.
1. The author is telling instead of showing
2. The point of view isn’t consistent
3. The opening failed to hook the reader
4. The author is dumping too much information on the reader
5. The plot lacks conflict and suspense
6. The characters are one-dimensional and flat
7. The development of the characters and their relationships is unrealistic
8. The manuscript contains scenes and passages that don’t move the story forward
9. The ending is illogical, rushed, or dragged out
10. The dialogue is unrealistic
11. The sex scenes are not a good fit for the book
12. The manuscript is riddled with grammar and spelling mistakes

http://ylvapublishing.wordpress.com/2012/11/11/the-top-12-reasons-manuscripts-are-rejected/

Helen Woodall
helen.woodall@gmail.com

Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.

Saturday, January 19, 2013

The Apostrophe Song







The Apostrophe Song (sung to “Oh Christmas Tree”) by Eileen Thorpe

Apostrophe, apostrophe
You drive me oh so batty.
Apostrophe, apostrophe
Your overuse is a travesty.
Some people just can’t get enough

They must think you’re hot stuff
Apostrophe, apostrophe
Some rules to avoid catastrophe.

It’s hers and theirs and yours and its
when you want to possess a bit
And when you need to pluralize,
You don’t need to apostrophize.
And what of words that end in esess?
An apostrophe will only make a mess’s.

I wonder why you so confuse
I’m sure you’re tired of this abuse.
Apostrophe, apostrophe
You drive me oh so batty.


Helen Woodall
helen.woodall@gmail.com

Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.

Wednesday, January 16, 2013

The dreaded synopsis





Many authors would rather write a 50,000 word book than a two-page synopsis. The trick is to encompass all the main points of the story, but very briefly. This means including the plot spoilers and resolution as well. Your agent/publisher/editor needs to know these things and they are the people who read the synopsis.
How to write a synopsis.
Read chapter one. Now write down what happens in two or three sentence—no more than that—just the main points.
Read chapter two. Write down what happens in two or three sentences—no more than that—just the main points.
When you have done this for all the chapters, read your synopsis. Is there an important event or character you haven’t mentioned? If so add them in at the correct place. Otherwise all you need to do now is type, “Synopsis” at the top of the page.
See, that wasn’t so hard.

Helen Woodall
helen.woodall@gmail.com

Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.

Saturday, January 12, 2013

How to write a blurb






The blurb is what goes up on the back cover of a print book and is often in the front of a digital book, and also sometimes inside print books as well. On many websites and catalogs it’s the blurb that’s listed to describe the story and help the reader see if the story is one they’d like to read.

A good blurb is crucial to a reader buying your book.

Often there are word limits. Many websites in particular only allow so many characters of promo per book so you need to keep it short, sharp and appealing.

Begin with a line about the heroine (or main character). Who is she and why is this story about her?

Then a line about the hero explaining his motives.

Then a line about the plot.

DO NOT try to tell the whole story, mention any plot spoilers, or how the book concludes, or any minor characters.

DO make it as catchy and engaging as you can.

Try not to end the blurb with a question or a cutesy line incorporating the book title.

Helen Woodall
helen.woodall@gmail.com

Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.

Wednesday, January 9, 2013

Ten rules for writing fiction





Various well-known authors—Elmore Leonard, Diana Athill, Margaret Atwood, Roddy Doyle, Helen Dunmore, Geoff Dyer, Anne Enright, Richard Ford, Jonathan Franzen, Esther Freud, Neil Gaiman, David Hare, PD James, AL Kennedy, Hilary Mantel, Michael Moorcock, Michael Morpurgo, Andrew Motion, Joyce Carol Oates, Annie Proulx, Philip Pullman, Ian Rankin, Will Self, Helen Simpson, Zadie Smith, Colm Tóibín, Rose Tremain, Sarah Waters, and Jeanette Winterson—have listed their rules for writing good fiction.

It’s rather more than ten, and not all of them are relevant for romance authors, or even popular fiction authors, but nonetheless these two blogs are well worth reading for anyone who wants to improve their own writing, or who enjoys reading.


http://www.guardian.co.uk/books/2010/feb/20/ten-rules-for-writing-fiction-part-one


http://www.guardian.co.uk/books/2010/feb/20/10-rules-for-writing-fiction-part-two

Helen Woodall


helen.woodall@gmail.com

Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.

Sunday, January 6, 2013

Wednesday, January 2, 2013

Want to succeed in business? Read!





The leadership benefits of reading are wide-ranging. Evidence suggests reading can improve intelligence and lead to innovation and insight. Some studies have shown, for example, that reading makes you smarter through "a larger vocabulary and more world knowledge in addition to the abstract reasoning skills." Reading — whether Wikipedia, Michael Lewis, or Aristotle — is one of the quickest ways to acquire and assimilate new information. Many business people claim that reading across fields is good for creativity. And leaders who can sample insights in other fields, such as sociology, the physical sciences, economics, or psychology, and apply them to their organizations are more likely to innovate and prosper.
Reading can also make you more effective in leading others. Reading increases verbal intelligence, making a leader a more adept and articulate communicator. Reading novels can improve empathy and understanding of social cues, allowing a leader to better work with and understand others — traits that have increased organizational effectiveness, and led to pay raises and promotions for the leaders who possessed these qualities. And any business person understands that heightened emotional intelligence will improve his or her leadership and management ability.
Finally, an active literary life can make you more personally effective by keeping you relaxed and improving health. For stressed executives, reading is the best way to relax, as reading for six minutes can reduce stress by 68%, and some studies suggest reading may even fend off Alzheimer's extending the longevity of the mind.

Helen Woodall

Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.