I’ve spoken before about the importance of keeping records especially when writing a series. It’s often termed building a bible of your world. That way your heroine will maintain the same eye color throughout the book, Tom won’t turn into Tim in chapter six, and the green planet orbiting your world won’t suddenly become blue.
Flavorwire has assembled copies of nine famous authors’ handwritten outlines for their books.
It’s fascinating. Enjoy.
http://flavorwire.com/391173/famous-authors-handwritten-outlines-for-great-works-of-literature
Helen Woodall
helen.woodall@gmail.com
Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.
Freelance Editor Helen Woodall offers advice, help and information to aspiring and exisiting authors, and anyone interested in writing.
Friday, June 7, 2013
Monday, June 3, 2013
When insults had class

These glorious insults are from an era before the English language became boiled down to 4-letter words.
A member of Parliament to Disraeli: "Sir, you will either die on the gallows or of some unspeakable disease."
"That depends, Sir," said Disraeli, "whether I embrace your policies or your mistress."
"He had delusions of adequacy." - Walter Kerr
"He has all the virtues I dislike and none of the vices I admire." - Winston Churchill
"I have never killed a man, but I have read many obituaries with great pleasure." Clarence Darrow.
"He has never been known to use a word that might send a reader to the dictionary." - William Faulkner (about Ernest Hemingway).
"Thank you for sending me a copy of your book; I'll waste no time reading it." - Moses Hadas.
"I didn't attend the funeral, but I sent a nice letter saying I approved of it." - Mark Twain.
"He has no enemies, but is intensely disliked by his friends." - Oscar Wilde.
"I am enclosing two tickets to the first night of my new play; bring a friend, if you have one." - George Bernard Shaw to Winston Churchill.
"Cannot possibly attend first night, will attend second ... if there is one." - Winston Churchill, in response.
"I feel so miserable without you; it's almost like having you here." -Stephen Bishop.
"He is a self-made man and worships his creator." - John Bright.
"I've just learned about his illness. Let's hope it's nothing trivial." -Irvin S. Cobb.
"He is not only dull himself; he is the cause of dullness in others." -Samuel Johnson.
"He is simply a shiver looking for a spine to run up." - Paul Keating.
"In order to avoid being called a flirt, she always yielded easily." - Charles, Count Talleyrand.
"He loves nature in spite of what it did to him." - Forrest Tucker.
"Why do you sit there looking like an envelope without any address on it?" - Mark Twain.
"His mother should have thrown him away and kept the stork." - Mae West.
"Some cause happiness wherever they go; others, whenever they go." - Oscar Wilde.
"He uses statistics as a drunken man uses lamp-posts... for support rather than illumination." - Andrew Lang (1844-1912).
"He has Van Gogh's ear for music." - Billy Wilder.
"I've had a perfectly wonderful evening. But this wasn't it." – Groucho
From The Nutters Cub, New Zealand.
Thursday, May 30, 2013
How to write a book

Today is “Speak in Complete Sentences” day. So, in honor of that, here’s my take on how to write a book.
For years and years I have assured aspiring authors wanting to write a book, first-time authors wanting to write a sequel, and other authors simply wanting to get a backlist out there, that there is only one way to write a book. BICFOK.
Butt In Chair, Fingers On Keyboard.
It doesn’t matter if you write a sentence, a paragraph, a page, or a thousand words. You are that sentence, paragraph, page or thousand words closer to achieving your goal.
Today I read the most amazing article that explains everything so much better than I ever could.
Read it. Absorb it. Follow its advice.
And get that book written!
https://medium.com/thoughts-on-creativity/bad7c34842a2
Helen Woodall
helen.woodall@gmail.com
Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.
Saturday, May 25, 2013
Now you know all the easy grammar rules, here are some hard ones for you
Try And. No, it’s try to. The trying is part of the action so therefore the verb needs to be an infinitive. (try to jump, to walk, etc)
Data is a plural word. So is dice. If you have just one little fact it’s a datum. One little cube with dots on it is a die.
Could care less. This means exactly what it says. You could care less about that person. You could care a whole lot less about them. If you don’t care about them at all, it’s could not care less.
Good and well are not interchangeable. Good is an adjective, but well is an adverb. An adjective modifies a noun but an adverb modifies a verb.
“John did good in the test” is wrong. He did well because did is a verb.
The pasta tastes good. This time good is correct because it describes the pasta and pasta is a noun.
Lay low versus lie low. To lay low is an action, to knock someone down. To lie low is to hide. Your villain might even lie low after being laid low by the hero.
Helen Woodall
helen.woodall@gmail.com
Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.
Data is a plural word. So is dice. If you have just one little fact it’s a datum. One little cube with dots on it is a die.
Could care less. This means exactly what it says. You could care less about that person. You could care a whole lot less about them. If you don’t care about them at all, it’s could not care less.
Good and well are not interchangeable. Good is an adjective, but well is an adverb. An adjective modifies a noun but an adverb modifies a verb.
“John did good in the test” is wrong. He did well because did is a verb.
The pasta tastes good. This time good is correct because it describes the pasta and pasta is a noun.
Lay low versus lie low. To lay low is an action, to knock someone down. To lie low is to hide. Your villain might even lie low after being laid low by the hero.
Helen Woodall
helen.woodall@gmail.com
Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.
Monday, May 20, 2013
Do people read differently today?
Over at The Guardian, there’s a discussion going on about whether or not people read differently today, thanks to such things as TV mini-series.
Mohsin Hamid says readers nowadays expect details and description to be compressed from an epic eight hundred pages into about two hundred pages.
A commenter points out that many “famous” long books, began life as a serial story in a newspaper. In fact, they were originally written in bite-size chunks so today’s readers haven’t changed all that much.
I still like to read long novels for the wealth of characters and detail they offer, but I must confess mostly I read shorter books simply because of the time factor. Long books for me are for vacations. Shorter books are for everyday life.
What do you think?
http://www.guardian.co.uk/books/booksblog/2013/apr/08/reading-21st-century-mohsin-hamid-fiction
Helen Woodall
helen.woodall@gmail.com
Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.
Mohsin Hamid says readers nowadays expect details and description to be compressed from an epic eight hundred pages into about two hundred pages.
A commenter points out that many “famous” long books, began life as a serial story in a newspaper. In fact, they were originally written in bite-size chunks so today’s readers haven’t changed all that much.
I still like to read long novels for the wealth of characters and detail they offer, but I must confess mostly I read shorter books simply because of the time factor. Long books for me are for vacations. Shorter books are for everyday life.
What do you think?
http://www.guardian.co.uk/books/booksblog/2013/apr/08/reading-21st-century-mohsin-hamid-fiction
Helen Woodall
helen.woodall@gmail.com
Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.
Wednesday, May 15, 2013
Today's Grammar Lesson: Only
Famous grammarian James Kilpatrick wrote a column every year aiming to teach his readers how to use the word “only” correctly.
Here’s my take on it.
The flowers in my garden are green.
Only the flowers in my garden are green: In my garden the trees are purple and the grass is yellow. Only the flowers are green.
The flowers in my garden are only green: No pink or red flowers are in my garden. Just green ones.
The flowers in my only garden are green: I don’t have a garden in front of my house and one behind it. I have just the one garden. With green flowers.
The point of these stories about my garden is that it matters where you put the adverb only. To make sense it has to be as close as possible to the word it modifies or you get an entirely different meaning. Often writers seem to think the sentence flows more smoothly with “only” moved around. That’s fine. Just be sure you haven’t changed the meaning of your sentence by moving it. Clarity and accuracy are more important than eloquence.
This is particularly important in longer sentences as “only” may end up modifying an entire clause, instead of just a word and your whole sentence is then confusing, crazy or meaningless.
Helen Woodall
helen.woodall@gmail.com
Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.
Saturday, May 11, 2013
In honor of Mother’s Day
With Mother’s Day in mind, Publishers’ Weekly has compiled a list of the ten worst mothers in books.
Enjoy!
http://www.publishersweekly.com/pw/by-topic/industry-news/tip-sheet/article/57176-the-10-worst-mothers-in-books.html?utm_source=Publishers+Weekly&utm_campaign=e2aeb9ade4-UA-15906914-1&utm_medium=email&utm_term=0_0bb2959cbb-e2aeb9ade4-304682837
Helen Woodall
helen.woodall@gmail.com
Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.
Enjoy!
http://www.publishersweekly.com/pw/by-topic/industry-news/tip-sheet/article/57176-the-10-worst-mothers-in-books.html?utm_source=Publishers+Weekly&utm_campaign=e2aeb9ade4-UA-15906914-1&utm_medium=email&utm_term=0_0bb2959cbb-e2aeb9ade4-304682837
Helen Woodall
helen.woodall@gmail.com
Helen is available to line edit and/ or content edit fiction and non-fiction. Rates on application.
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