We have reached a very exciting part of the
book. The villain has captured the heroine. The hero races to rescue her and
begins to fight the villain.
The heroine wrings her hands and bites her
lips.
Really? If she’s that much of a helpless
baby I’m surprised the hero wants her. Can’t she at least turn on her heels and
grab a vase to hit the villain over the head with? No, not the priceless Ming
Dynasty vase, but perhaps the ugly one Great Aunt Bertha gave her.
Having made her no longer Too Stupid To
Live, let’s improve the clichés around her actions. We’ve removed “wrings her
hands” because she’s going to “grab the vase” instead. But bites her lips? Go
on try it yourself. Bite both your lips. Come on, have a go.
You can’t can you? You can bite your top
lip, OR bite your bottom lip, but you can’t bite both lips at once.
Now let’s fix, “turns on her heels”. Try
that. Rush away from the computer and turn on your heels.
It’s not as easy as it sounds is it? And it’s
quite a slow action.
That’s the problem with clichés. We’ve read
them in stories so often we think they explain the scene. But when you examine
them, they actually spoil your scene, taking all the drama out of it.
Now, go away and write some stuff she can
really do. And please don’t make her a crybaby or TSTL.
Helen Woodall
Helen is available to line edit and/ or
content edit fiction and non-fiction. Rates on application.
1 comment:
Oh dear! I hope you aren't bruised!
Helen
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